The new pattern you see was introduced on the paper napkin, and I'm sure it was an accident as it was their 3rd attempt to print on the globe on it. Now it's used inside the amenity kit. It came from the globe and from it's detail not printing well (filling in, or falling away) thus leaving just the negative space around it..BINGO...a new design motif!
Basically, the
CO globe is NOT a symbol, it's a tail decoration. Lippincott (ironically and uncharacteristically for that agency) fell for a computer trick, in a new version of Adobe Illustrator, that was new about 25 years ago (thats why it appears so dated) and I know because I had friends there. It looked great on the tail but NEVER worked in the box, which was an afterthought when they realized they should have started at step one: design the logo/symbol. It has never worked in small application and is also why it doesn't reproduce well at all with contemporary technology.
Lippencott has always been a very disciplined "Corporate Identity" branding company, perhaps they saw in their
CO work in 1991 a way of pushing their own design envelop, which otherwise had always been VERY conservative and sticks to the most pragmatic teachings of identity design. L&M (as they were called at the time) focuses on brand strategy more than than design, although they have created some great work over the decades (Pentagram and Landor are far more creatively driven, Futurebrand has been lost in the middle since the days of Dieffenbach Elkins (FB's first incarnation). Purist
CI agencies and designers (like Saul Bass, Chermayeff & Geismar and often Walter Landor) created SYMBOLS. Like Delta's widget,, Alitalia A, Landor's
NW,
BA had a decorative tail but Landor created the "speed wing word-mark" as
BA's branding, Cathay Pacific, Landor's VARIG, or the Chase octagon or the real globe "Pan Am" (both ala: C&G). There are many globe/world logo's that are SYMBOLS. Example; to my Brazilian friends, the Bradesco symbol. Once the symbol or word-mark is settled, decoration is great (Etihad).
This new thing United has attached themselves to is the result of a happy accident (that is if you like it) - it was never a SYMBOL, because the tail decoration was born first then retro fitted into a BOX, so it never looked as good as the tail.
No, I don't like it. Yes, I do love the "flying U" (or tulip, which was a moniker given by employees) My opinion was it should have never been tossed out in the first place, stupid branding move driven by the cost of painting. But now that that asset has been discarded, I believe, while a real pity, would be a serious strategic challenge and could potentially create more confusion with the general pop - the LAST thing poor United needs.
I worked as an Executive Creative Director at Landor for 23 years and lead identity assignments all over the world. I may know little else in world, but I do know branding.
Sure, United can refresh it's "House Style" now, and I think that is a fabulous idea. I do like the new burnished metal plaque in the new First Class seat video a lot. I'm not at all fond of this little finger-nail clipping thingy they grabbed onto, and I don't think people will see it's the negative space of the "Globe in a Box" bit it sure as hell beats the sea of nothingness they have now!
In
ALL HONESTY, I learned a "globe in a box" lesson myself when I made the mistake of doing once on a MAJOR global brand, and in that case we all fell in love with a decorative application vs creating the globe symbol first, then pull it apart for decorative branding applications.